Man oh man, Denver is blessed with a glut of great bands, many of which consist of artists who came here from somewhere else. (The native Coloradan is an endangered species.) Such is true of The Still Tide – a local trio by way of the Big Apple. You’ll know Anna Morsett, singer and songwriter, from Ark Life, Kaki King, and These United States; Jacob Miller, lead guitar, via Anthony Ruptak and The Kissing Club; and Aaron Latos, drums and keyboards, for James Fearnley, These United States, and Karl Berger. Guest member Natalie Tate also appears on recordings and at various Colorado gigs.
The gang of three previously toured and recorded as Yet Cut Breath, and The Still Tide was a solo outlet for Morsett in the wake of helping to create Ark Life and while nurturing other projects, too. Fate saw that the three should reunite over the past year and craft the sound that led to the March release of the “Half Empty Rooms” 4-song e.p. and subsequent tour.I am emotionally caught up in this recording. “Field of Bells” is a tightly-wound, melancholy tune that dips into deliciously minor keys. I might be hearing a glockenspiel or chimes, and I really love Anna’s vocal delivery. It’s given softly, not forcefully, which causes me to pay closer attention to the lyrics. Some singers play tricks, having written something completely lighthearted that sounds utterly sad. But this is no trick.
In “Empire,” the initial guitar swell makes me think of Bedhead, which is always a good thing. The melody flows like a lazy river, nodding to jazz chords while ascending into a blur of fuzz about three minutes in and then reducing itself again to a quiet beat. The feeling of this song is like waking up to a sweet-smelling rain.
The rest, you can discover on your own. Sadly, you’ve missed the e.p. launch, and you’ll have to be in Europe to catch a live show from now until June (unless you’re in Brooklyn on Friday night – The Living Room, 9 pm). But The Still Tide’s dreamy tunes will be echoing again in Denver soon enough. Patience, friends.